2020 VIVA Award – Tania Willard
#haunted_hunted, acrylic mounted digital print, 32 x 12 inches, 2017
Native Inspired, digital print on canvas, satin ribbon, dyed deer tail,
cotton fabric, acrylic on cotton, Dims variable, 2017
Entwined, cedar bark, wool, natural dyes, abalone shell buttons, jute, DIMS variable, 2009
Liberation of the Chinook wind, nylon windsocks, anonometer, Python code, DIMs variable, 2018
Surrounded/Surrounding, metal firepit, leather, wood, vinyl, installation Dims variable, 2018
Surrounded/Surrounding, metal firepit, leather, wood, vinyl, installation Dims variable, 2018
Gut Instincts, outdoor vinyl installation, DIMs variable, 2018
Birth, site specific work Stanley Park, 2008
Anthro(a)pologizing (series), laser etched reflective fabric, maple burl, cyanotypes, Dims variable, 2018
Pine Triptych, acrylic on canvas and digital projection with sound, 5 x 7 feet (each), 2009, Collection of Kamloops Art Gallery
Xyemstwecw, Respect for One Another, 3M reflective fabric, satin and silk ribbon, flashlights, and laser etching, 2018, Collection of Vancouver Art Gallery
Sovereign Sunshine (series), emulsion and various objects on paper, printed at BUSH Gallery, 2016-2017
Beach(fire) Bingo Biennial, Ward’s Island Toronto event and performances, presented by the Toronto Biennial, 2019
#Tmicw, digital image, documentation of site specific install at BUSH Gallery, 2016
Basket Rescue Operation, birch bark, cedar root, copper leafing, 2016
Xyemstwecw, Respect for One Another, 3M reflective fabric, satin and silk ribbon, flashlights, and laser etching, 2018, Collection of Vancouver Art Gallery
Feasting/Fasting, laser etched salmon leather, satin ribbon, reflective edging, digital video by Steven Thomas Davies, 2019
Only Available Light, installation, Harlan Ingersoll Smith film “The Shuswap Indians of BC” crystals, 2016
Only Available Light, installation, Harlan Ingersoll Smith film “The Shuswap Indians of BC” crystals, 2016
The Combo, birchbark, cedar root, rabbit fur, plastic tray, 2012