2021 – Diyan Achjadi

2021 VIVA Award – Diyan Achjadi


Diyan Achjadi • photo by Four Eyes Portraits


Please, ink, gouache and silkscreen collage on paper, 2012, photo credit Dennis Ha


Unfashioned Creature, Half Undone, ink, gouache, acrylic on paper, 2015, photo credit Dennis Ha


Drift, ink, gouache, graphite on paper, pins, glue, 2017-2019, installation view, Mantle, Evergreen Cultural Centre, photo credit Rachel Topham


Drift, ink, gouache, graphite on paper, pins, glue, 2017-2019, detail of installation, Mantle, Evergreen Cultural Centre, Coquitlam, BC, photo credit Rachel Topham


dip, ink and gouache on cut paper, 2018


After this, What then?, ink, gouache, and graphite on paper, pins, 2017/2020, photo credit Dennis Ha


Java Toile, toner print on Tyvek, 2015, installation view, The Present Future is Written in the Past,  Galerie M-A-I, photo credit Paul LItherland


Java Toile (detail), toner print on Tyvek, 2015, installation view, The Present Future is Written in the Past,  Galerie M-A-I, photo credit Paul LItherland


Java Toile: Roedde House Redux (Foliage), toner print on Tyvek, 2018, installation view, Diyan Achjadi and Cindy Mochizuki: Memories of the Future III,  Roedde House Museum, photo credit Rachel Topham


Home Invasion (Stance), photocopy transfer and embroidery on antique handkerchief 1999, installation view, Diyan Achjadi and Cindy Mochizuki: Memories of the Future III, Roedde House Museum, photo credit Rachel Topham


Venationes (Fragmentary Creature), cut-paper drawings, lithography, silkscreen, etching and letterpress prints, 2014-2016, installation view, The Present Future is Written in the Past, Centre M-A-I, photo credit Paul Litherland


Venationes (Fragmentary Creature) (detail), cut-paper drawings, lithography, silkscreen, etching, and letterpress prints, 2014-2016, installation view, The Present Future is Written in the Past, Centre M-A-I, photo credit Paul Litherland


Residue – LT1, collaboration with Brendan Tang, pigment print on paper, documentation of ephemeral blind embossment on skin, 2015, photo credit Suzanne Ward


Residue – LT1, collaboration with Brendan Tang, pigment print on paper, documentation of ephemeral blind embossment on skin, 2015, photo credit Suzanne Ward


Neither Here nor There, digitally generated animation, 2015, installation view, Cultural Conflation: Diyan Achjadi and Shawn Hunt, Richmond Art Gallery, photo credit Dennis Ha


NonSerie (In Commute), digital collage on vinyl adhered to bus, 2017-2018, from How far do you travel?, Contemporary Art Gallery with Translink BC, photo credit Translink BC


NonSerie (In Commute), digital collage on vinyl adhered to bus, 2017-2018, from How far do you travel?, Contemporary Art Gallery with Translink BC, photo credit Translink BC


Whelm, digitally generated animation, 2017, Burrard Arts Festival


Coming Soon!, 2018-2019, hand-printed posters pasted monthly on construction sites in Vancouver slated for development or construction, installation view, 494 Railway Street, photo credit Harry Armstrong


Coming Soon!, 2018-2019, hand-printed posters pasted monthly on construction sites in Vancouver slated for development or construction, installation view, 5030-5070 Cambie Street, photo credit Harry Armstrong


Coming Soon!, 2018-2019, hand-printed posters pasted monthly on construction sites in Vancouver slated for development or construction, installation view, Welk’s General Store, photo credit Harry Armstrong


Coming Soon!, 2018-2019, hand-printed posters pasted monthly on construction sites in Vancouver slated for development or construction, installation view, 5679 Main Street, photo credit Harry Armstrong


Coming Soon!, 2018-2019, hand-printed posters pasted monthly on construction sites in Vancouver slated for development or construction, installation view, 5679 Main Street, photo credit Harry Armstrong


Coming Soon!, 2018-2019, hand-printed posters pasted monthly on construction sites in Vancouver slated for development or construction, installation view, 494 Railway Street, photo credit Harry Armstrong


Hush, 2021, (still from video), commissioned by Emily Carr University for the City of Vancouver Public Art Program for the Urban Screen